Art Fairs

Scope New York with Black Square Gallery, New York, USA
Art Wynwood, Miami, USA with Black Square Gallery
Context\Art Miami, with Black Square Gallery
Pulse\Impulse Miami 2012, with Black Square Gallery
Lima Photo (2012)
ArtChicago (2011) with Black Square Gallery
Miami International Artfair, Miami. (2012-2011-2010) – with Black Square Gallery
Scope New York (2011) – with Black Square Gallery
Art Moscow (2011) -  with Black Square Gallery
Arteaméricas (2011-2010)
ArteBa, Argentina (2011-2010-2009-2008-2007- 2006)
BaPhoto, Argentina (2012-2011-2010-2009-2008)
ArtBo, Bogotá (2008)
Estampa, Madrid (2007)

Collective exhibitions (selection)

Summer Reading – Black Square Gallery, Miami – USA. (2012)
Philips & de Pury – Auction, London (October, 2011) with Black Square Gallery
Paper Work, Black Square Gallery, Miami – USA. (2011)
Dream Catcher, Black Square Gallery, Miami - USA. (2011).
Sívori Museum, Bicentennial edition auction, Argentina (2010)
Subject/object, Palais de Glace, Argentina.(2009)
 
"Obras en papel" group
 
Nacional Congress, Argentina (2003)
Palaise de Glace, Argentina (2002)
Alianza Francesa, Argentina  (2002-2001)
Provincial Museum of Paraná, Argentina (2000)
Palatina Gallery, Argentina (2000-1999)

Awards (Argentina)

Salón Nacional – Photography (2012)
Itaú cultural award (2010)
First Award / Salón Nacional – Textile. (2008)
Second Award / Salón Nacional – Textile. (2007)
X Klemm award – Visual Arts. (2006)
Octubre awards – Visual  Arts. (1999)

Magazine Interviews

Arte al Límite (2011)
Dpi, Taiwán (2010)
Ramona, Argentina (2008)
Veo, Argentina (2007)
Arte al Límite, Chile (2007)

Auctions:

Phillips de Pury, London, October 2011

Putting his melted metal works aside, Lehmann's medium is a humble one. Paper comes fairly cheap and processing it, especially in the many ways that Lehmann has explored, can be limiting to the average artist. But for the Argentinean paper artist, who lives and works in Buenos Aires, and also graduated from Instituto Universitario Nacional del Arte (IUNA), some would argue that language— especially in the days since the lexicon of texting and short coded emails became the norm— is his true craft. Essentially, Lehmann is preserving and documenting the letters of the alphabet; reminding us of earlier times when its framework were much more simple, when we saw letters and remembered how we learned them as opposed to feeling (completely and utterly) mechanically disconnected.

Lehmann is currently one of seven participating artists featured in the Dream Catcher II Contemporary Art festival exhibition at Miami's Black Square Gallery, which is on view until January 5, 2012. By the end of 2012, Lehmann is expected to complete The Scribe's House, a project that affords a writer or someone who is dedicated to the art of words, an opportunity to develop an imaginary living space. Staying true to form, Lehmann's physical four-installation based series, which he's been working on since 2010, features raw surfaces covered with torn texts of old books, as well as wrapped walls, floor and furniture.

http://www.thestarklife.com/2011/12/28/pablo-lehmann-alphabet-soup/

THE PATHS OF PLOT (2007)

by Rodrigo Alonso*

For any literature lover, the book is an endless source of senses, a valuable treasure expanding the boundaries of language, a mechanism revealing the universes created by the power of words. For Pablo Lehmann, the book is, in turn, a generator of images, covert shapes and infinite artistic possibilities.

Following the steps of Stephan Mallarmé, Lehmann multiplies the visual strength of pages, although his research is no longer oriented towards the relationship between the word and its medium, but rather towards the relationship between these and the book itself.
Hence, the artist reinforces the concrete presence of the medium against the allusive strength of the text, which insists on denying its own reality.

Putting his melted metal works aside, Lehmann’s medium is a humble one. Paper comes fairly cheap and processing it, especially in the many ways that Lehmann has explored, can be limiting to the average artist. But for the Argentinean paper artist, who lives and works in Buenos Aires, and also graduated from Instituto Universitario Nacional del Arte (IUNA), some would argue that language— especially in the days since the lexicon of texting and short coded emails became the norm— is his true craft. Essentially, Lehmann is preserving and documenting the letters of the alphabet; reminding us of earlier times when its framework were much more simple, when we saw letters and remembered how we learned them as opposed to feeling (completely and utterly) mechanically disconnected.

Lehmann is currently one of seven participating artists featured in the Dream Catcher II Contemporary Art festival exhibition at Miami’s Black Square Gallery, which is on view until January 5, 2012. By the end of 2012, Lehmann is expected to complete The Scribe’s House, a project that affords a writer or someone who is dedicated to the art of words, an opportunity to develop an imaginary living space. Staying true to form, Lehmann’s physical four-installation based series, which he’s been working on since 2010, features raw surfaces covered with torn texts of old books, as well as wrapped walls, floor and furniture.

http://www.thestarklife.com/2011/12/28/pablo-lehmann-alphabet-soup/